Professor Emerita

Degree: Ph.D. University of Florida

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Translation studies and contemporary Spanish theater and narrative, with special interest in women writers, film, and cross-cultural approaches to theater.

With Matilde O. Castells. Lengua y lectura: un repaso y una continuación. New York: Harcourt, Brace and World, 1970. xviii + 430 pp. (Plus teacher's manual and accompanying lab tapes.)

Theatral Translation and Film Adaption: A Practitioner's View. Clevedon, England: Multilingual Matters, 2005. 222 pp. (Anticipated translation to Korean, 2008.)

The Novels and Plays of Eduardo Manet: An Adventure in Multi-Culturalism.  Penn State University Press, 2000. 272 pp.

Cross-Cultural Approaches to Theatre: The Spanish-French Connection. Metuchen NJ: Scarecrow Press, 1994.
261 pp.

Jaime Salom.  Boston: G.K. Hall, 1982. 163 pp.

Víctor Ruiz Iriarte. Boston: G.K. Hall, 1980. 151 pp.

Elena Quiroga. Boston: G.K. Hall, 1977. 151 pp.

With María Asunción Gómez and Santiago Juan-Navarro. History and Myth of the Mad Queen: Modern Reinventions of Juana of Castile. Bucknell University Press, 2008, 267 pp.

El teatro alternativo español (Del Moral, Onetti y Pedrero)
. Ottawa: GIROL, 2001. 192 pp.

With Martha T. Halsey. Entre Actos: Diálogos sobre teatro español entre siglos.
University Park PA: Estreno, 1999. 398 pp.

With Kirsten Nigro. A Stage of Their Own/Un Escenario Propio. Selected proceedings from international symposium on Spanish, Latin American and U. S. Latina Women in the Theatre,
University of Cincinnati, October 1994. Volume I: España. Ottawa: Girol, 1998.  118 pp.

With Roger Cornish and Michael Bigelow
Dixon. Special issue of Art Teatral. Cuadernos de Minipiezas Ilustradas (Valencia, Spain). Actors Theatre of Louisville and the American Short Play. 8 (1996). 120 pp. 

With Robert Lima. Homenaje a/Tribute to Martha T. Halsey.
University Park, PA: Estreno, 1995. 58 pp.

With Martha T. Halsey. The Contemporary Spanish Theater. A Collection of Critical Essays. Lanham MD,
New York and London: University Press of America, 1988. 261 pp.

Francisco Nieva. Combate de Opalos y Tasia. Sombra y quimera de Larra. La magosta.
Madrid: Alhambra-Longman, 1990. 192 pp.

Antonio Gala. Noviembre y un poco de yerba.
Petra Regalada. Madrid: Cátedra, l98l. 254 pp. (5th ed. 1993)

Jaime Salom. La piel
del limón. Salamanca: Almar, 1980. 104 pp.

Víctor Ruiz Iriarte. El landó de seis caballos.
Salamanca: Almar, 1979. 110 pp.

Francisco Ayala. El rapto.
New York: Harcourt Brace Jovanovich, l97l. xii + 132 pp.


 Plays from Spanish
J. L. Alonso de Santos. Going Down to Marrakesh. In Plays of the New Democratic Spain (1975-1990): ed. Patricia W. O'Connor. Lanham MD and London: University Press of America, 1992. Pp. 313-379. 

---. Hostages in the Barrio (La estanquera de Vallecas). University Park, PA: Estreno, 1997. 47 pp. 

Itziar Pascual. Gone Astray: Three Plays (Meowless,
Holiday Out and Castaways). New York: ESTRENO Plays, 2006. 59 pp. 

Paloma Pedrero. Parting Gestures: Three by Pedrero (The Color of August, A Night Divided, and The Voucher). University Park PA, Estreno Spanish Plays 6, 1994. Ed. Martha T.  Halsey. 63 pp.      
Parting Gestures with A Night in the Subway. Revised ed.
New Brunswick NJ, 1999. 80 pp. ---.

Ana 3/11
. In Staging Terror:
Madrid 3/11. Ed. Iride Lamartina-Lens and Susan Berardini. New York City: ESTRENO Plays No. 30, 2007. 

Jaime Salom. Bonfire at Dawn.
University Park PA: Estreno, 1992. Contemporary Spanish  Plays 1. 59 pp. Ed. Martha T. Halsey.
Bonfire at Dawn. Revised ed. New York: ESTRENO Plays, 2006. 88 pp. Ed. Iride Lamartina-Lens and Susan Berardini. 
---. The Other William. In Three Comedies by Jaime Salom. Ed. Gregary Racz. Boulder: University Press of Colorado, 2004. 169-227.

Plays from French
 Jean-Paul Daumas. The Elephant Graveyard. Modern International Drama 28.1 (1994): 5-48. 

Eduardo Manet. Lady Strass. Modern International Drama. 28.1 (1992): 5-35. Revised edition, Playwrights of Exile. An International Anthology.
New York: Ubu Repertory Theater Publications, 1997, 1-80.       

Jean Bouchaud. Is That How It Was?  The Mercurian. A Theatrical Translation Review. 1.1 (2007): 4-41. (Digital journal.)

Estreno. Member of the editorial board, 1982--; co-guest editor, Spring 1991; associate editor, 1992-2001; guest
editor, Fall 2001
Anales de la Literatura Española Contemporánea: Teatro, 1992--.
España Contemporánea, member of the editorial board, 1994--.
Art Teatral, member of the advisory board, 1997--.
Western European Stages, contributing editor, 1999--.
General editor, ESTRENO Contemporary Spanish Plays, 1998--.
Latino Advisory Committee, The Shakespeare Theatre of New Jersey, 2004--.
SLUSA Member of the advisory board, 1988-1990.
Gestos. Member of the advisory board, 1985-86.